Behind the Brief

Notes from the studio

Opinionated writing on advertising, branding and the craft of making work that actually moves a business.

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Two eyes flanking a speech box being measured, on a violet gradient
Marketing
Marketing & Strategy · 5 min
A room full of people agreeing on an idea doesn’t mean the idea is good. It usually means it has been sanded down until nobody finds it interesting.
A speech bubble with sound waves trailing off, on a violet gradient
Creative Process
Creative Process · 4 min
The strongest lines leave a gap. Why an audience finishing your sentence beats you finishing it for them.
A shield shape, slightly cracked at the centre, on a violet gradient
Branding
Branding · 6 min
Most difficult feedback is risk talking. How to hear the fear underneath the note and answer that instead.
A heartbeat pulse line between two spotlights, on a magenta gradient
Studio Notes
Studio Notes · 4 min
The absence of nerves before a pitch doesn’t mean you’ve become confident. It usually means you’ve quietly stopped betting on yourself.
A trophy cup drawn slightly off-centre, on a violet gradient
Creative Process
Creative Process · 5 min
A Pencil tells you the jury liked the work. It doesn’t tell you the work actually worked — and confusing the two is how agencies end up making ads for award books.
One highlighted figure standing apart from a faint crowd, on a violet gradient
Marketing
Marketing & Strategy · 4 min
“Men and women, 18–45, SEC A and B” is not a person. Why picking one specific, precisely observed person produces work that lands wider.

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Occasional, opinionated notes on advertising and branding — straight from the studio.

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